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Biography

Lizbeth Mitty, Graduate School Studio

Artist Statement
 

Landscapes and interior environments serve as the stage for the stories we tell and are the truest expressions of how we live. My artistic practice uses these settings to delve into themes of excess, human overconsumption, and the resulting climate change. Precarious mountain villages draped in vibrant creeping vines, or grand, lavish banquet halls and palatial salons, are current subjects—evocative of both pleasure and discomfort. Uneasy juxtapositions highlight the tension between beauty and environmental degradation.

The landscapes depict postcard-perfect scenes of lush vegetation and rushing waters, while the interiors focus on both beauty and decadence. The intentional absence of individuals invites us to either step into these locations or mentally picture the missing inhabitants. This void prompts the viewer to reflect on their own influence and challenges the global bystander effect that contributes to our inaction. I employ a method of fast-moving, mostly poured, wet-on-wet technique, creating images from constant change. An hours-long color mixing session prior to starting facilitates my vision and allows me to move quickly when painting. I rely more on the medium of paint and the process of painting than any original image, often obliterating the initial form. When the image reappears, it is charged with the energy of memory and accident.

This current body of work builds on my 50-year-long investigation of place and transforming environments. I invite viewers to confront the delicate balance between beauty and destruction, urging reflection on the impact of our actions and the passage of time.

“Acutely observed, remembered and then re-imagined, these futuristic scenes are not so much renditions of a specific location as they are dizzying translations in paint of Mitty's wonderment at the endless variety of visual information offered up by her subjects.” Art in America, January 2006

Gallery Representation

 

Harper’s Gallery, NY, LA, South Hampton 
Marcia Wood Gallery, Atlanta, GA

Solo Exhibitions

2025   Harper’s Gallery Chelsea, New York, NY

2024   Time Just Slips - Adhesivo Contemporary, Mexico City
2024    Repasts, MASSIMODECARLO Piece Unique, Paris, France

2023    Harper’s Gallery, Chelsea Lobby Space, New York, NY

2022    Harper's Gallery, Los Angeles, CA

2022    Harper's Gallery, Upper East Side, New York, NY

2022    Marcia Wood Gallery, Atlanta, GA

2018     John Davis Gallery, Hudson, NY

2017    Glistens Down Me, a Solo Exhibition at David & Schweitzer Contemporary Gallery, Brooklyn, NY
2014    Elgin Gallery, Brooklyn, NY
2010    A.M. Richard Fine Art, Brooklyn, NY
2010    Windham Fine Arts, Windham, NY
2008    Windham Fine Arts, Windham, NY
2007    Mercantile Building, Milwaukee, WI
2005    Cheryl Pelavin Fine Art, New York, NY
2002    Cheryl Pelavin Fine Art, New York, NY
1999    Cheryl Pelavin Fine Art, New York, NY
1995    Lorraine Kessler Gallery, Poughkeepsie, NY
1985    Rosa Esman Gallery, New York, NY
1983    Rosa Esman Gallery, New York, NY
1982    Rosa Esman Gallery, New York, NY
1978    Heath Gallery, Atlanta, GA
1977    Image Gallery, Athens, GA
1977    First Unitarian Church, Athens, GA

Two-Person Exhibitions

2021   Melville’s Existential Diner, Lizbeth Mitty and Marcela Silva, Curated by Norton William

            at Peepshow Space, Brooklyn, NY

2019   The Thread, M David & Co, Brooklyn, NY - read more >

2018   Valley of Ashes, Caldwell College Art Gallery, Montclair, NJ

2016   In The Thickness, The Lodge Gallery, New York, NY

Selected Group Exhibitions

2025

Inherent Nature, Maya Frodeman Gallery, Jackson Hole, WY
Small Talk, Adhesivo Contemporary Gallery, CDMX

2024

NADA Miami, Harper’s Gallery, Miami, FL
Holiday, Harper’s Gallery, Chelsea, NY

2023/2024 Season, The Bunker Art Space, West Palm Beach, FL

Kismet, with Harper’s Gallery, Bangkok, Thailand

Crescent Heights, Harper’s Gallery, Los Angeles, CA
Cereal Isle, Marquee Projects, Bellport, NY
Incandescence, Lehman College Art Gallery, Shirley Fiterman Art Center, and Hall of Fame, New York, NY
36 Paintings, Harper’s Gallery, East Hampton, NY

2023
NADA, with Harper’s Gallery, Miami, FL

NADA, with Harper’s Gallery, New York, NY
Artists Talking: Conversations in Paint and Paper, Marcia Wood Gallery, Atlanta, GA

 

2022

NADA, with Harper’s Gallery, Miami, FL

NADA, with Harper’s Gallery, New York, NY

Harper’s Seoul Pop-up with The Here & There Co., Seoul, Korea

Galerie 75 Faubourg, Paris, France - Harper’s pop-up exhibition

Still, Platform Project Space, Brooklyn, NY – curated by Elizabeth Hazan

2021

Untitled, Miami Basel, with Harper's Gallery, Miami, FL

The Pathological Landscape, Marquee Projects, Bellport, NY

Art on a Postcard, London, UK

Access Art, Brooklyn Arts Council, Brooklyn, NY

2020
Essential Works, Odetta Digital Shim Art Network on Artsy.net

What on Earth: Contemporary Artists + the Landscape, Portrait Society Gallery, Milwaukee, WI

Keep for Old Memoirs, curated by Victoria Miro and Kate Mothes, linktr.ee/yngspc

Turner Patent Yellow, Odetta Gallery, New York, NY
The Enabling Act: A Call to Arms, M David & Co, Brooklyn, NY

Pandemic Proof, Odetta Digital, Shim Art Network on Artsy.net
Sea Change, Odetta Digital, Shim Art Network on Artsy.net
USPS Project, Pelham Art Center, Pelham, NY, Sunset Art Studios, Dallas, Texas, Art Gym, Colorado 

2019

Ondate/Waves, Bologna, Italy/Brooklyn, NY

Access Art, Brooklyn, NY

2018

2018 History of Bushwick Holiday Show, M David & Co, Brooklyn, NY

BOS 2019, M David & Co, Brooklyn, NY
Among Friends, Brooklyn, NY

Chain Reaction: Artists Select Artists, Invitational, The Painting Center, New York, NY

Yellow Chair Holiday Extravaganza, David&Schweitzer Contemporary Gallery, Brooklyn, NY

Cynthia Nixon Fundraiser, Ideal Glass, New York, NY

2017

Fables of the Reconstruction, Four Person Exhibition, David&Schweitzer Contemporary Gallery, Brooklyn, NY

Flatfile Exhibition, David & Schweitzer Contemporary, Brooklyn, NY

Summer Exhibition, David & Schweitzer Contemporary, Brooklyn, NY

2016

Pussy Power” Curators: Jennifer Samet and Michael David, Benefit Exhibition, David&Schweitzer
Contemporary, Brooklyn, NY
Reality is Wrong, Dreams are Real, David&Schweitzer Contemporary Annex, Brooklyn, NY
Sanctuary, Tabla Rasa Gallery, Brooklyn, NY
Access Art, Brooklyn Arts Council Gallery, Brooklyn, NY
Falling In, Trestle Projects, Brooklyn, NY
Seeking Space, Arts In Bushwick, Brooklyn, NY
Sideshow on Mars, Life on Mars Gallery, Brooklyn, NY
Up for Debate, BRIC Gallery, Brooklyn, NY
Maimonides Hospital Boardroom Gallery, Brooklyn, NY

2015

Access Art, Brooklyn Arts Council Gallery, Brooklyn New York
Her.art, Promoting Women Artists in the Contemporary Art Market, Silent Auction, New York, NY
Lorimoto Gallery Holiday Salon, Brooklyn New York.

2014

Life on Mars Gallery Summer Invitational, Brooklyn, NY
WagMag Benefit Exhibition, Brooklyn, NY
21 and Counting, The Painting Center, NY, NY
Access Art, Brooklyn Arts Council Gallery, Brooklyn, NY

2013

Honorable Beasts, Elgin Gallery, Brooklyn, NY
Curate NYC Top 150, Rush Arts Gallery, New York, NY
Access Art, Tabla Rasa Gallery, Brooklyn, NY
Curate NYC, Curator Lizzetta LaFalle Collins, Museum of African Diaspora, Online Exhibition
Curate NYC, Curator Sarah Newman, Corcoran Gallery, Online Exhibition

2012

Temporary Contemporary Gallery, Asbury Park, NJ
Go Project, Brooklyn Museum, Brooklyn, NY
Red Hook Open Studio Tour, Brooklyn, NY

2011

Miami Basel, Wynwood Arts District, Hangar Gallery, Miami, FL

2010

The Affordable Art Fair, New York, NY
Windham Fine Arts, Windham ,NY
Red Dot Art Fair, Miami, FL

2009

New York: Then and Now, ACA Galleries, New York, NY
ArtHamptons, Bridgehampton, NY

2008

Two Person Exhibition, Windham Fine Arts, Windham, NY
ArtHamptons, Bridgehampton, NY
Summer Exhibition of Monotypes, Cheryl Pelavin Gallery, New York, NY
Art in a Box, Cheryl Pelavin Gallery, New York, NY

2007

20 Years of Printmaking, Cheryl Pelavin Fine Art, New York, NY
Art in a Box, Cheryl Pelavin Gallery, New York, NY

2005

New Art: New Work: Reflections of the Human Condition, Trierenberg Holding AG, Traun, Austria
University of Missouri, Museum of Art and Archaeology, Colombia, MO

2002

Alliance for Young Artists and Writers Annual Benefit, Diane Von Furstenberg Studio Gallery, New York, NY
Landscapes, Real and Imagined, Rye Art Center, Rye, NY
Faculty Exhibition, Hofstra University, Hempstead NY

2001

Vessels, The St. Paul Company, Minneapolis, MN

1998

Jay Gallery, Pelavin Editions, New York, NY

1997

Berkshire Museum, 1996 Exhibition of Painting and Sculpture, Curator Dan Cameron, Pittsfield, MA
Lorraine Kessler Gallery, Poughkeepsie, NY

1996

Jay Gallery, Pelavin Editions, New York, NY
Faculty Exhibtion, SUNY at New Paltz, New Paltz, NY

1995

Summer Solstice, Stephen Rosenberg Gallery, New York, NY
Jay Gallery, Pelavin Editions, New York, NY

1994

Nassau County Museum of Art, Exhibition of the Permanent Collection, Roslyn, NY
Faculty Exhibition, SUNY at New Paltz, New Paltz, NY

1993

Exhibition of Permanent Collection, Queensborough Community College Art Gallery, Queens, NY

Women Printmakers: An Intimate View, Queensborough Community College Gallery, Queens, NY

1992

Faculty Exhibition, SUNY at New Paltz, New Paltz, NY

1991

Long Island Landscape Painting in the Twentieth Century, Museums at Stony Brook, NY

Group Exhibition, Berkshire Museum, Curator Lisa Phillips, Pittsfield, MA
In Search of the American Experience, Museum of the National Arts Foundation, New York, NY

1990

Contemporary Scenes of New York City, Associated American Artists Gallery, New York, NY
Contemporary Prints: New York Workshops Create, Bronx Museum, NY

1985

The Artist Celebrates New York: Works From the Metropolitan Museum of Art, Traveling Exhibition:
Bronx Museum, Long Island University, Jamaica Arts Center, Staten Island Museum, City College
Gallery Artists and Friends, Rosa Esman Gallery, New York, NY

1982

Textured Plains, Proctor Arts Center, Bard College, Annandale on Hudson, New York, NY

1981

The Broken Surface, Tibor de Nagy Gallery, New York and Bennington College, VT

1980

Semaphore Gallery, New York, NY

Bibliography

Jambhekar, Neha, Artnet Pick of the Week, Artnet, 2022

Kirkpatrick, Catherine, Artists on Coping: Lizbeth Mitty,  Art Spiel, 2020

Hector, Katie, Two Coats of Paint, Past, Present, Future: Lizbeth Mitty and Dana James, April 9, 2019
Nowell, Cecilia, NYMAG.com, Bedford +Bowery, Satisfying Shapes, March 12, 2019
Burnham, Danielle, Art Spiel, Lizbeth Mitty and Dana James, The Thread, March 30, 2019
Beberaggi, Becca, Bushwick Daily, Bushwick Gallery Explores....for Women’s History Month, March 11, 2019
Art and Object, The Thread, Feb 20, 2019
Create Magazine, The Thread, April 4, 2019

Wright, Jeffrey Cyphers, livemag.org  Issue 14 , 2017
Russinof, Anne, gallerytravels.blogspot.comSeen Around Town, November 22, 2017

Gagler, Mary, White Hot Magazine, Talking About Decadence, Disneyland, and Little Bathrooms with Lizbeth Mitty, September 2017Pia Coronel and Melissa Staiger, Structure 3, NYC Creative Salon Podcast, https://nyccreativesalon.org/structure-3. March 9, 2017
Butler, Sharon. ”Painting: Fall Preview Manhattan Edition,” Two Coats of Paint. Twocoatsofpaint.com. September 7, 2016.
D'Agostino, Paul. “Gallery Rounds: Up & Underway," Brooklyn Magazine. Bkmag.com. September 13, 2016.
Sutton, Benjamin. “Your Concise Guide to Gowanus Open Studios," Cover Photo: “Boating," by Lizbeth Mitty at Trestle Projects, "Falling In," curated by Melissa Staiger, Hyperallergic. Hyperallergic.com. October 13, 2016.
Russinof, Anne. “Lizbeth Mitty and Farrell Brickhouse at Lodge Gallery." Seen Around Town/Gallery Travels. October 2, 2016.
Melendrani, Nina. “Some Gems from the New Seasons Shows, Part 1." Facebook.com/melendrani/posts. September 18, 2016.
Russinof, Anne. “Studio Visit With Lizbeth Mitty.” Seen Around Town/Gallery Travels. March 10, 2016.
D'Agostino, Paul. “View Inside: Lizbeth Mitty.” Art (inter) New York. June 10, 2015.
D'Agostino, Paul. “Back to Forward with Art: 2015/2016.” Brooklyn Magazine. December 31, 2015.
Burnham, Danielle. “Spotlight On: Red Hook Artist Lizbeth Mitty.” Renegade Digital Solutions. November 19, 2015.
Legend, Sheba. “The 15 Minutes Project,” live broadcast on Brooklyn Public Network, BRIC Arts. April 23, 2014.
Haden-Guest, Anthony, “Williamsburg is Over,” The Art Newspaper, Number 255, March, 2014.
Prakash, Alisha. “Weekend Guide.”  Daily Candy. September 19, 2013.
Park, Sol. “Change of Art.” The Brooklyn Paper. September 7, 2013.
Russinof, Anne. “Inaugural Group Show at Elgin Gallery.” Seen Around Town/Gallery Travels. September 26, 2013.
Access Art.” News 12 Brooklyn. November 17, 2013.
Manhattan User's Guide. February 4, 2010.
City Journal Cover Art. Autumn 2009, Volume 19, Number 4.
Decker, Elisa. “Lizbeth Mitty at Cheryl Pelavin.” Art In America. January, 2006, p. 125.
Johnson, Ken. “Art Guide: Other Galleries.” The New York Times. Weekend Section, February 1, 2002.
Schumacher, Mary Louise. “Turning Horror Into Art.” The Milwaukee Journal Sentinel. June 15, 2002.
Newhall, Edith. ”On View." New York Magazine. February 4, 2002, p. 70.
King, John. “Painting the Past, Hoping For the Future.” San Francisco Chronicle. January 16, 2002, p. A-21.
Boyle, Wickham. “Art Out of the Ashes of September 11.” The Villager. January 16, 2002, p. 12.
Perchinske, Marlene. Museum News. Univ. of Missouri Museum of Art and Archaeology, Winter, 2002. Cover Article.
Galinou, Mireille. London Arts Café Newsletter #11, Autumn/Winter, 2002, p. 9.
Henry, Gerrit. Art in America. January, 2000, p. 117
Johnson, Ken. The New York Times. May 7, 1999, p. E-36.
Temin, Christine. The Boston Globe. August 31, 1996, p. 78.
Smith, Roberta. The New York Times. August 24,1991, p. C-22.
Paquette, Carole. The Record. July 5, 1991, pp. 19 and 28.
Delantiner, Barbara. The New York Times, Long Island Edition. June 17, 1991, p. C21.
McKinney, John. Three Village Herald. June 20, 1991, p. 13.
Casamassima, Christy. Five One Six Magazine. June, 1991, p. 8.
Hunter, Elizabeth. The Times Beacon, Leisure/Classified. June 21, 1991, p. C5.
Lipson, Karin. Newsday. August 10, 1990, part 2, p. 15 and May 27, 1991, part 2, p. 19.
Pisano, Ronald. Long Island Lanscape Painting in the Twentieth Century. Little Brown & Company, 1990, pp. 115-116.
"Darkness at Noon", Science Magazine. July-August, 1987, p. 78.
Lucie-Smith, Edward. American Art Now. Morrow Incorporated,1985, pp. 92 and 94.
Glueck, Grace. The New York Times, Weekend Section December 16, 1983.
Peplow, Joshua. Arts Magazine November, 1982.

Fellowships and Awards

Adolph and Esther Gottlieb Foundation Grant

Public and Corporate Collections

The Bunker Artspace, Miami, FL
JP Morgan, Chase, NY, NY

Metropolitan Museum of Art, New York, NY
New York State Museum, Albany, NY
Northwestern Mutual Life, Milwaukee, WI
Orlando Museum of Art, Orlando, FL
Zimmerli Archive, Rutgers University, NJ
Mint Museum, Charlotte, NC
University of Missouri Museum of Art and Archaeology, Columbia, MO
Newark Museum, Newark, NJ
Dennos Museum, Traverse City, MI
Nassau County Museum of Art, Roslyn, NY
Trierenberg Holding AG, Traun, Austria
US Department of State, Washington, D.C.
Ameriprise Financial Corporation, New York, NY
Sanwa Capital Management, Japan
Greenpoint Savings Bank, New York, NY
Fidelity Financial, Boston, MA
Queensborough Community College, Queens, NY
General Dynamics Corporation, Falls Church, VA
Carey Ellis Company, Sacramento, CA
Centre Reinsurance of New York, New York, NY
Quad Graphics, Milwaukee, WI
Hanson Graphic, Milwaukee, WI
Tendler Real Estate, New York, NY
Simpson, Thatcher & Bartlett, New York, NY
Prudential Corporation, Newark, NJ
Equitable Life Assurance Society, New York, NY
Milbank, Tweed, Hadley & McCloy, New York, NY
US Trust Corporation, New York, NY
Oakbrook Bank, Oakbrook, IL
B. Riche, Berlin, Germany
Cleary, Gottlieb, Steen & Hamilton, New York, NY
Kliegerman Group, Westport, CT
New York Blood Center, New York, NY
 
Education

1975             University of Wisconsin, Madison, WI  M.F.A
1973             University of Wisconsin, Madison, WI  B.A.
1969–71       SUNY at Stony Brook, Stony Brook, NY

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